Remembering Manx Commonwealth Games Gold Medal Cyclist Peter Buckley

   With Cyclefest in the can and the British Cycling National Road Championships looming on the horizon, it’s a fitting opportunity to remember the Island’s first gold-winning Commonwealth Games medallist who set the pace in cycling during the 1960s, but died tragically in the midst of his ongoing success.

Peter Buckley was born in Peel to Joan (née Quayle) and Louis Buckley, a member of the Peveril Camp Guard, and although he later relocated to Oldham in Lancashire he always maintained he was proud to be a Manx man; returning regularly for training.

When he was selected for the 1966 Commonwealth Games in Jamaica (where Buckley celebrated his twenty second birthday) he chose to represent the Isle of Man, although in some quarters his victory was perceived to be just another win for England. However, this view was not shared by the British Cycling Federation, who saw it as recognition for the tremendous support that the Island gave to cycling.

The race itself was a feat of endurance which raised genuine concern amongst doctors and officials, but ultimately shattered the theory that endurance events in Jamaica would be beyond the physical limits of competitors. A gruelling one hundred and twenty mile road race from Kingston to Manchioneal, Buckley survived a crash by the leading group in the early stages, but rode with determination through tropical rain storms amongst the mountain foothills, tackling slippery, winding, crumbling roads, pot holes and an unwanted puncture. Many of his competitors crashed out of the race, but Buckley’s pledge to win gold for the Isle of Man spurred him on to victory, in a record time of just over five hours – almost one mile ahead of the second placed man.

But the race had taken its toll of a dazed Buckley who was helped from his bike at the finish line, soaked with both rain and perspiration. He freely admitted that it was a tough, punishing course presenting its own dangers, and there were times when he considered pulling out. Although he had ridden longer races this was the most gruelling, riding alone for the final forty miles and battling extreme tiredness during the closing stages.

Buckley’s success aroused enormous pride on the Isle of Man, and the Manx team was greeted by thousands of cheering well wishers at Ronaldsway Airport, which Buckley quipped was better than a Beatles’ welcome, followed by a government reception and presentation of an inscribed silver tray. Additionally, Buckley and his family attended further presentations in both Peel and Douglas.

Crowned Sportsman of the Year on the Isle of Man in 1967, Buckley returned to his job as a clerk in a railway company and his training regime, in the hope of being selected for the next Olympic Games, winning the Manx International Road Race, and securing top places in the Tour of Mexico and the Tour of Britain Milk Race. The Peter Buckley Series became one of the most prized awards in UK cycling, but tragedy was waiting in the wings. Whilst out training Buckley was involved in a collision with a loose dog at Hebden Bridge in the Yorkshire Pennines in July 1969 and he subsequently died of his injuries – struck down in his prime after establishing himself as the leading amateur rider in Britain at the age of twenty four. His ashes were interred at Peel Cemetery.

Buckley was acknowledged as a gentleman both on and off the bike and as an excellent ambassador for the Isle of Man, but his memory lives on through the establishment of the Peter Buckley Trophy (awarded to competitors from the junior cycling league) and now presented to Dot Tilbury’s Junior Cycling RLS 360 and awarded to the most promising competitor,  together with a memorial seat placed at Creg Willey’s Hill (Creg Willy Syl – Willy Sylvester’s Rock).

Meanwhile his Commonwealth Games gold medal and other memorabilia can be seen at the Leece Museum on East Quay in Peel – admission free.

Valerie Caine

© June 2017

(Courtesy of Manx Tails)

Posted in Uncategorized

Manx Internment Camp Music Concerts Break New Ground

A unique collaboration between some of the brightest talent from the Royal College of Music and the Ensemble Émigré, professional soloists and a selection of young performers from the Isle of Man, highlighted an important aspect of internment on the Island during World War II and broke new ground during the process.

With performances at The Studio Theatre in Ballakermeen High School and the Erin Arts Centre, local audiences were treated to a fabulous presentation of music composed by internees housed in various camps across the Island.

The concert was initially staged in The Liberal Jewish Synagogue in London earlier this year under the title of The Barbed Lyre – Leaves from the Isle of Man, incorporating a rich variety of music composed by German and Austrian refugees.

It was a stunning performance from a group of twelve singers and instrumentalists led by Norbert Meyn. They also managed to include some sightseeing and school workshops, which attracted more than one hundred students, following which four young performers from Ramsey Grammar School were included with the visiting group’s second presentation at Ballakermeen High School.

Entitled What a Life! – Music from the World War II Isle of Man Internment Camps, each musical item was interspersed with information about some of the internees, or their diary entries. Such detail provided an insight into the lives of thousands of men and women who were suddenly thrust into the spotlight and branded as ‘enemy aliens’.

The Isle of Man inadvertently became, as broadcaster Andrew Marr observed, ‘one of the great centres of European intellectual life’, which was reflected in these rare performances. A selection of masterpieces included a superb arrangement of the highly expressive Ursonate by the Dadaist artist Kurt Schwitters, and work by Peter Gellhorn, who composed a piece of work called The Cats and another entitled Mooragh. Other work at the concerts included that of Hans Gál who composed the music for a bi-lingual camp revue entitled What a Life! within a matter of weeks, for the most part from his camp hospital bed.

Their music was interspersed with a selection of Manx compositions which included Has Anybody Here Seen Kelly, I’m a Native of Peel and dance tunes by W. H. Gill.

As well as filming a performance of Mooragh in Ramsey Town Hall, Culture Vannin also filmed Norbert Meyn and the String Quartet performing some of Peter Gellhorn’s music inside one of the apartments on Mooragh Promenade which formed part of the Mooragh Camp, where he was interned. It was fitting that Barbara Gellhorn, his daughter, was able to be present at this event. This will shortly be available at www.culturevannin.im.

An article highlighting the project was published on the international news site Deutsche Welle.

The project was supported by the Isle of Man Arts Council, Culture Vannin and the Malcolm Scott Dickinson Charitable Trust.

(Photos courtesy of Norbert Meyn – Royal College of Music)

Valerie Caine

© June 2017

(Courtesy of the Southern Chronicle)

Posted in Culture, History

Visiting Harp Ensemble Enjoy Cultural Exchange

 Local traditional music group Croan yn Tead recently hosted a very successful visit by The Lissenhall Harp Ensemble from Ireland who journeyed to the Island from Dublin.

Both groups joined forces to rehearse their joint sets at the Mitre Hotel in Ramsey in preparation for their forthcoming concert, but managed to fit in a visit to the House of Manannan in Peel. After their brief sojourn in the west everyone returned to the Mitre in Ramsey for a mighty music session, with more than thirty musicians from both groups taking advantage of the weekly Irish music session.

During the weekend workshops were also held at the Youth Arts Theatre in Douglas, where some of the local harp players enjoyed one-to-one tuition, followed by a concert featuring Croan yn Tead, Fiana Ní Chonail and the Lissenhall Harp Ensemble. Fiana played a selection of tracks from her debut CD Dathanna an Cheoil and was accompanied on selected sets by local bodhrán player John Corlett of Mactullagh Vannin. Croan yn Tead and the Lissenhall Harp Ensemble later joined forces to bring the evening to a close.

Event organiser Peddyr Cubberley said, “The groups and their entourage held a social night at the Mitre Hotel in Ramsey and were treated to an excellent buffet, followed by yet another music session. This was a great time to get to know one another, forge friendships and have a great night of ceol agus craic – music and fun!”

As their extended visit drew to a close, the visiting Irish musicians enjoyed a tour around Cregneash, followed by a final concert in Castle Rushen.

Croan yn Tead would like to thank Carl and Selina Joughin and the staff of the Mitre Hotel, Fiona Helleur and volunteers at the Youth Arts Theatre, Chloë Woolley of Culture Vannin and Manx National Heritage.

(Photos courtesy of Peddyr Cubberley)

Valerie Caine

© May 2017

(Courtesy of the North Western Chronicle)

Posted in Culture

Swift Action Needed to Encourage Local Bird Population

   Our contemporary lifestyle may have brought additional benefits to Island life, but for one annual summer visitor from Africa it has made a significant impact on their much needed habitat.

The Manx Ornithological Society, in conjunction with Manx BirdLife, have now joined forces under the banner of Swift Action to assess the breeding population of the swift, and monitor current numbers after a visitor from Tasmania noted a decline in the local population in comparison to a previous visit and suggested setting up a project to help them.

Undistinguished by their somewhat plain, brown colouring, they are more likely to be remembered for their dexterity and distinctive sound as they soar upwards and onwards – their long, scythe-like wings and short, forked tail strikingly silhouetted against an endless sky. Spending most of the time airborne, where they happily eat, mate and sleep on the wing, they head to the Isle of Man to breed, typically arriving during the month of May and departing in August.

Unfortunately a decline in suitable nesting sites has been identified as being partially responsible for a notable drop in the number of swifts visiting our shores to breed. As a rule they favour elevated holes in wall crevices, eaves of houses, spires and church towers, but many sites have been lost due to our enthusiasm for building renovation.

But this is where you can help raise awareness and appreciation of this fabulous bird, in an effort to encourage more nesting opportunities on the Isle of Man.

Swifts are communal in nature, and project organisers anticipate that the greatest success can be achieved by encouraging new nesting sites in the vicinity of other established nests; although it is possible to gain their confidence on a new site using recordings of their screeching calls.

And here’s what you can do to reinforce the bird’s presence on the Isle of Man. If you suspect there might be a current nesting site you can easily record your sightings on the Manx BirdLife website, or by telephoning Janet Thompson on 835524, noting its approximate location and number of birds sighted in recent years.

Alternatively project organisers would welcome anyone (including children and young people) who would be interested in either helping to monitor specific sites, or know of a suitable location for new nesting boxes, to contact them for further information.

www.manxbirdlife.im

(Photos courtesy of Pete Hadfield)

Valerie Caine

© May 2017

(Courtesy of Manx Tails)

Posted in Uncategorized

Music Composed in Manx Internment Camps Highlighted in Island Concerts

 A unique collaboration between some of the brightest talent from the Royal College of Music, professional soloists and a selection of young performers from the Isle of Man (second concert only) will highlight an important aspect of internment on the Island during World War II later this month.

Initially brought to the stage in April at The Liberal Jewish Synagogue in London, under the title of The Barbed Lyre – Leaves from the Isle of Man, this expressive performance incorporates a rich variety of music composed by German and Austrian refugees facing enforced isolation during the turbulent war years.

Items on the concert programme will include the bilingual revue What a Life! by Hans Gál, an equally moving and humorous piece of musical theatre inspired by daily life within the internment camps, which was performed to enthusiastic audiences in the Palace Theatre in Douglas during 1940, and recreated especially for these specific performances. The programme will also include excerpts from the work Ursonate by the Dadaist artist Kurt Schwitters and other notable composers.

The group of twelve singers and instrumentalists, lead by tenor Norbert Meyn, will also present chamber music from this period in Manx history, which will include Mooragh by Ramsey based internee Peter Gellhorn and Manx dance tunes arranged by W. H. Gill, as well as some popular, old favourites such as I’m a Native of Peel and Has Anybody Here Seen Kelly?

The project is kindly supported by the Isle of Man Arts Council, Culture Vannin and the Malcolm Scott Dickinson Charitable Trust.

Performances

7.30pm 16th May – Erin Arts Centre, Port Erin £10 (adults) £2 (under eighteen)

Tel: 832662

 

7.00pm 17th May – The Studio Theatre, Ballakermeen School, Douglas £12 (adult) £10 (concession) £5 (under sixteen)

Tel: 600555 (booking via Villa Marina box office)

Valerie Caine

© May 2017

(Courtesy of Manx Tails)

Posted in Culture, History

Culture Vannin: Kathleen Faragher’s ‘Owl Neddy’ read by Dollin Kelly

One of the Isle of Man’s greatest poets died 42 years ago today: Kathleen Faragher, you are sorely missed.

We thought that a good way to remember her would be with a smile.
So we’ve just released this reading of one of her great Manx dialect poems by Dollin Kelly RBV:
https://soundcloud.com/…/kathleen-faraghers-owl-ned…/s-x9o4x

This comes out of a project funded by Culture Vannin, which has been carrying out the first ever serious attempt to collected and tell the story of Faragher’s life and work.
Hours of oral history will be released on the Manx Literature and Culture Vannin websites soon, offering the memories of those who knew her or who had some connection to her.
If anyone has a memory or story about Kathleen Faragher, please get in contact.
http://manxliterature.com/kathleen-faragher/

Posted in Culture, History

Toy Story 1917

 

Image: First World War Internee Woodworking Workshop, Knockaloe Camp, Isle of Man, 1917.
MNH

New exhibition to discover Toy Stories from the Isle of Man

Have you got a Treasured Toy Story with an Isle of Man connection that you’d like to share?

Manx National Heritage is currently planning a fascinating exhibition to uncover the stories hidden within treasured toys held in the Manx National collections and we invite others to take a trip down memory lane to re-discover their cherished toys and share the tales behind them.

From Victorian dolls to Viking games, visitors to the exhibition will have the opportunity to explore an array of toys and treasures that weave together stories of play and the people behind them, whilst re-kindling a love for their own forgotten toys and introducing the next generation to the wonders of playtimes past.

Anthea Young Manx National Heritage Education Services Officer and curator of the exhibition commented:

“Many toys within the Museum’s collection provide enticing insights into the lives of children and purpose of play on the Isle of Man through the ages.

The exhibition will showcase a range of objects from much loved toys, from wealthy children such as Janet and Alice Gibb of the Grove through to simple toys made from scrap materials by German ‘enemy aliens’ who were interned on the Island during the First and Second World Wars. 

It will not only provide an opportunity to look at the unique collections of toys under the care of Manx National Heritage, but will also be an occasion to seek and present toy stories with an island connection directly from the Islands community.

With studies showing that 25% of adults still own at least one of their favourite childhood toys, Manx National Heritage want to know if you have any treasured toys hiding away in the attic? Please get in touch and share your memories, which may go on to feature in our upcoming exhibition, opening in December 2017 at the House of Manannan.

Any toys loaned to the exhibition by members of the public will be safely returned to their owner after the exhibition closes.

For more information or to discuss the toys you have found please contact Anthea Young 648034 or email: playfulpasts@mnh.gov.im

 

Posted in Culture, History, Manx National Heritage

Celebrate Mann’s Milling Heritage at Kentraugh Mill

   The merry month of May heralds the popular National Mills Weekend across the length and breadth of the British Isles, and with it comes an annual opportunity for the public to experience the rich history of Kentraugh Mill in the south of the Island.

Billed as an annual festival in celebration of milling heritage, it’s a concept which has fuelled the interest of many visitors as the idea grows exponentially. Until the advent of the steam engine, windmills and watermills provided the sole source of power for many processes, be it flour, paper, cloth, hammering metal or extracting oils.

This year’s theme is Engineers and Engineering, offering the potential of celebrating both local engineers and millwrights who developed and built these remarkable bastions of rural life.

Kentraugh Mill, near Colby, is now one of the few remaining intact watermills on the Isle of Man, but although the original waterwheel is now far beyond its useful life, visitors will still be able to experience the mill in action through the power of electricity.

The mill itself was initially recorded as being in use as early as the start of the sixteenth century, although it’s likely to have been active even earlier. Largely rebuilt around 1832, when its original wooden workings were replaced by the current machinery, Kentraugh Mill remained in the Qualtrough family for several generations before being sold to a fellow miller, John Woods of Ballabeg, in 1904.

Finally closing its doors in 1943, Kentraugh Mill lay untouched for more than twenty years until a new owner (who believed the mill building was a garage) lovingly restored this iconic part of Manx life.

Visitors will be able to join an escorted tour of the three storey mill, and also stroll over to the former miller’s store room, which is now known as the Chapel Garden and was once the site of the Island’s first Primitive Methodist Chapel in 1825.

And there’s also an opportunity to enjoy some home baking, with volunteers on hand providing light refreshments from a tent on the old mill pond site – serving scones topped with a dollop of delicious medlar or quince jelly.

The National Mills Weekend is organised by the Mills Section of the Society for the Protection of Ancient Buildings, with Kentraugh Mill open to the public by kind permission of Canon and Mrs Sheen.

Visitors are reminded that they explore the mill at their own risk, and although entrance is free of charge donations are invited for the USPG (United Society Partners in the Gospel World Mission).

Open Days

Saturday 13th May 10.00am – 5.00pm

Sunday 14th May 11.00am – 5.00pm

 

(Access to Kentraugh Mill is by either turning inland at the Shore Hotel or from the Croit e Caley Road near Colby)

Valerie Caine

© May 2017

(Courtesy of Manx Tails)

Posted in Uncategorized

Isle of Man: Architecture on Sea – The Buildings That Made the Seaside

 As part of the initiative Isle of Architecture, author, historian and enthusiast Dr Kathryn Ferry recently gave an illustrated talk based on the changing face of seaside architecture at the Centenary Centre in Peel.

Dr Ferry spent her early years by the sea in North Devon, but was further stimulated in her architectural interests by childhood holidays by the sea. And although now better known as an architectural historian, writer and broadcaster on a number of seaside related subjects, her first academic interest was Victorian architecture and design.

She commented, “There’s something very special about seaside architecture. Much of it is Victorian, harking back to an era which saw massive changes around the coast. Thanks to steamers and the spread of railways, seaside holidays moved from the preserve of the rich taking the ‘air’ for their health, to an annual treat for factory workers on Wakes Weeks. New types of buildings sprang up to cater for their enjoyment including winter gardens, theatres and holiday camps, not to mention boarding houses and promenade amusements.”

Although the Island features in many of Dr Ferry’s books, this was her first visit to the Isle of Man itself, where she took a receptive audience on a brisk promenade through three hundred years of seaside architecture – starting in the early eighteenth century. Her revealing lecture uncovered how entrepreneurs used imaginative ideas and originality to take advantage of up-coming trends, with money-making schemes to attract visitors.

Initially the idea of a health promoting sojourn at the seaside, it was primarily the privilege of the wealthy, but ultimately the concept was widened to include all comers.

Dr Ferry guided her audience through an assortment of architectural styles, re-enforced with images of both well known UK and Manx coastal resorts and buildings.

Despite the loss of some iconic buildings on the Isle of Man, Dr Ferry believes that we still have many others (some under-utilised) to be proud of, which she urged everyone to exploit from the perspective of heritage, particularly in view of the growing trend for the so-called ‘staycation’.

At the close of her lecture, Dr Ferry signed copies of her books, which include reference to the Isle of Man, the home of the first holiday camp remembered by many generations as Cunningham’s Camp.

Valerie Caine

© May 2017

(Courtesy of the North Western Chronicle)

Posted in History

Celtic Media Festival Comes to the Isle of Man

 

 The Isle of Man has long been a focus of attention within the vibrant world of the film industry, its initial success said to be an early interpretation of Hall Caine’s novel The Manxman in 1916, which brought the Island international attention.

Documentary makers and film producers usually head to the Island to draw upon its richness of scenery, nostalgia, sport or culture, but this year we’ve also attracted the highly influential Celtic Media Festival, whose main aim is to promote the language and culture of the Celtic nations and regions in film, television, radio and online/digital media. And additionally to highligh

t the areas as prime locations for international film and television production.

The annual festival itself roves between these regions, although this is the first time in almost forty years that this showcase of creativity and excellence has reached these shores.

Attracting approximately four hundred delegates, the majority of whom are broadcasters and representatives from independent production companies from across the Celtic nations, they will discuss their roles as responsible broadcasters with regard to indigenous language broadcasting and both the longevity and cred

CMF_LOGO

ibility of language programming within the Celtic cluster. It’s an opportunity for delegates to attend the numerous conference sessions and workshops to discuss various aspects of the media industry, collaboration between the Celtic regions, as well as any difficulties, opportunities or shared solutions.

 

Festival Director, Catriona Logan, told Manx Tails, “Ultimately the aim of the Celtic Media Festival is to provide a platform for people in all parts of the media within the Celtic nations and regions to discuss and share ideas, difficulties and any solutions that can be shared. It also provides a marketplace for programme makers and broadcasters to promote their productions and make international contacts.”

A popular element of the festival will be the highly regarded Bronze Torc Awards for Excellence, with categories for screen, radio and digital media. Entrants range from major broadcasters and independent production companies to students and other individuals.

One of the main components of the festival will be the Green Light strand, which will aim to give students an opportunity to learn more about the media industry through workshops and panel discussion, and obtain access to decision makers.

Speed networking provides delegates with the option of meeting commissioners and production companies, as well as focusing on co-productions and international commissions. It’s a rare chance for delegates to pitch their ideas and instigate meaningful conversation.

Nominees for each film category and a comprehensive programme (including some free public events) will be available on the Celtic Media Festival website, where volunteers can also apply for positions which will assist in the smooth running of the event and provide invaluable experience.

The festival itself will be held 3rd – 5th May at the Villa Marina in Douglas,

www.celticmediafestival.co.uk

Valerie Caine

© May 2017

(Courtesy of Manx Tails)

Posted in Culture